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・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


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Catholic periodical literature of the nineteenth century : ウィキペディア英語版
19th-century Catholic periodical literature
The 19th-century Catholic periodical literature is unique in many respects. Most of the periodical publications in mainly Catholic countries can be regarded as "Catholic" literature up to a few decades before 1800: the editorial line is implicitly Catholic in most instances.
The development of the press in the 19th century was in general terms a major factor in secularization according to Owen Chadwick. On the other hand, mass printing also meant that the "Pope of 1889 was far more influential that the Pope of 1839 because the later Pope was surrounded by the press and the earlier Pope was not" wrote Chadwick.
==Background==
The ''Catholic Encyclopedia'' of 1913 offered an analysis in terms of several factors. Periodical literature includes the political newspaper, the weekly, and literary and specialized magazines and journals appearing less frequently: in some countries such as Spain the implicit Catholicism persisted in the press for many years. The American-style, news-led paper would sell on its news content, rather than editorial line, and therefore Catholic newspapers could compete as dailies. European papers and weeklies relied more on the ''feuilleton'' and generally had more op-ed content. This meant they showed "greater animosity to the Church".

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